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Bach

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	0	2	4	100%
	11	0	2	4	50%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	2	4	100%
	11	2	4	50%
Horn in F	6	0	4	100%
Oboe	6	0	4	100%
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	4	5	100%
Viola	10	2	5	100%
Contrabass	18	3	3	45%
Violoncello	18	3	3	45%
Tenor	2	0	1	8%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	5	6	100%
Tenor/Bass	24	0	6	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	5	6	100%
Tenor/Bass	24	6	6	100%
Contrabass	17	4	5	46%
Alto	3	0	2	6%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.	21	87	7	3	92%
	22	0	6	4	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.	21	87	7	3	92%
	22	0	6	4	100%
Contrabass	22	0	6	4	100%
Vcl	22	0	6	4	100%
Alto	18	0	6	6	91%
Basso	19	0	6	5	86%
Soprano	14	0	4	6	78%
Tenor	14	0	4	5	75%
Trombone	17	1	6	6	53%
	21	8	6	5	57%
Viola	14	0	4	5	46%
Violin 2	17	0	6	6	44%
Bassoon	18	0	5	4	41%
Oboe	10	0	3	3	29%
Violin 1	9	0	2	1	27%

Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)

BSG

8:12	Est. Play Time
83	Measures
	4,627Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	24	80	8	6	85%
	21	0	6	6	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	24	80	8	6	85%
	21	0	6	6	100%
CB	21	0	6	6	100%
Vcl	21	0	6	6	100%
Viola	20	0	7	7	100%
Vn 1	23	0	9	8	100%
Vn 2	20	0	6	6	100%
Flute	27	0	10	10	99%
Bass	18	0	6	6	49%
Sop	16	0	5	6	49%
Alto	16	0	5	5	48%
Ten	12	0	2	5	42%
Tenor Trombone	12	0	2	6	42%

Passacaglia in C minor REVISED

Eduard Gutierrez Flores

11:13	Est. Play Time
169	Measures
	3,301Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violonchelos	25	2	6	7	87%
Contrabajos	16	0	4	5	80%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violonchelos	25	2	6	7	87%
Contrabajos	16	0	4	5	80%
Violas	25	0	7	9	75%
Saxofón barítono	20	0	4	7	73%
Violines 1	25	0	8	8	71%
Violines 2	22	0	6	8	70%
Fagot	23	0	5	6	63%
Saxofón contralto	24	0	7	7	54%
Clarinete en Si♭	26	22	6	7	53%
Flauta	21	13	6	9	52%
Saxofón soprano	23	0	8	9	51%
Oboe	22	0	7	9	41%
2 Trombones	12	12	2	5	35%
2 Cornos en Fa	18	20	2	5	35%
Tuba	13	0	1	4	35%
Trompeta 1 en Si♭	11	0	1	6	23%
Timbal de concierto	2	0	0	6	21%
Saxofón tenor	16	0	4	5	17%
Trompeta 2 amp;amp; 3 en Si♭	18	17	4	4	15%

J. S. Bach Aria: Willkommen werter Schatz (BWV 36 Nr 5) für Fagott & Orchester

Georg Pfeifer

3:28	Est. Play Time
65	Measures
	1,444Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	23	0	6	5	100%
Violin 1	23	0	5	7	98%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	23	6	5	100%
Violin 1	23	5	7	98%
Viola	21	5	7	91%
Violin 2	16	3	7	91%
Solo Fagott	21	4	8	83%
Oboe	15	2	7	65%
	14	2	7	58%
Flöte	20	5	6	60%
Horn in F	18	4	7	57%
Kontrabass	22	3	4	40%
Fagott	19	3	4	38%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

Concierto de Brandemburgo nº 5, 1º. mv.

Sinesio Madrona Rodenas

9:29	Est. Play Time
226	Measures
	4,246Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavicémbalo	30	22	13	8	81%
	31	2	10	10	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavicémbalo	30	22	13	8	81%
	31	2	10	10	92%
Violín	24	0	8	6	59%
	26	0	8	9	72%
Flauta	23	0	8	8	58%
Viola	22	0	6	4	58%
Violonchelo	27	0	9	3	55%
Violón	20	0	4	5	46%

BWV245N13½ "Zerschmettert mich, ihr Felsen und ihr Hügel" Aria for Tenor in A Major used 1725 only in place of "Ach, mein Sinn"

edward.maurath

8:12	Est. Play Time
55	Measures
	1,308Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	27	0	11	5	100%
Cembalo Continuo	34	39	12	5	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	27	0	11	5	100%
Cembalo Continuo	34	39	12	5	98%
Contrabassi Continuo	27	0	11	5	95%
Viola	25	0	8	9	95%
Violoncelli Continuo	27	0	11	5	95%
Violin 2	28	0	9	9	94%
Violin 1	30	0	10	7	93%
Tenore Solo	21	0	8	5	74%
Organo Continuo	16	22	6	4	28%

Cannon in D

George Branch

1:58	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	24	0	0	2	95%
Contrabass	13	0	0	1	83%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	24	0	0	2	95%
Contrabass	13	0	0	1	83%
Trombone 1	33	0	0	2	69%
Violin 2	23	0	0	4	67%
Oboe 1	23	0	0	4	60%
B♭ Trumpet 2	21	0	6	4	48%
Bassoon 1	24	6	0	4	48%
B♭ Clarinet 1	26	0	5	3	47%
F Horn 2 amp;amp; 4	19	8	6	3	47%
Tuba	15	0	0	1	45%
Trombone 2	17	13	0	3	43%
F Horn 1 amp;amp; 3	15	9	4	4	38%
Harp	19	10	0	1	29%
	5	0	0	1	14%
Flute 2	18	0	0	4	29%
Flute 1	12	0	0	3	19%
B♭ Trumpet 1	6	3	0	2	7%